HomeNightlifeAssessment: Swedish Home Mafia Paradise Once more Tour at FTX Enviornment July...

Assessment: Swedish Home Mafia Paradise Once more Tour at FTX Enviornment July 29, 2022

Earlier than Swedish Home Mafia made it clear that an area is the one place to rave, it wasn’t wanting good for the trio or the debut of the Paradise Once more Tour at FTX Enviornment. Steve Angello (Steven Patrik Josefsson Fragogiannis), Axwell (Axel Christofer Hedfors), and Sebastian Ingrosso have been set to take the stage at 10 p.m.

A number of exhibits have already been canceled, and rumors of low ticket gross sales loomed on the outset of the world tour. And with solely about half the seats crammed by 9:15, the rumors appeared on level.

Opener Grimes opted for a DJ setup as an alternative of her indie-laced reside units. She spun EDM bangers — a sound Swedish Home Mafia left behind in its debut album, Paradise Once more — together with a high-octane remix of Mariah Carey’s “All I Need For Christmas Is You.” (Hey, an keen producer will remix something.) Nevertheless, as she concluded by mixing Vivaldi’s “La Primavera” and a bone-crushing techno finale, the muse, each sonically and structurally, was being laid.

From 9:30 to 10:00, through the 30-minute stage setup — whether or not via divine intervention or the ability of music and love — each seat within the area crammed (the present was reportedly offered out), and the primary bits of noise rang out by 10:02.

click on to enlarge

Picture by Michele Eve Sandberg

The rattle and hum of “Can U Really feel It,” off Paradise Once more, buzzed via the audio system whereas the trio stood behind a black curtain as fog floated across the members’ black sneakers. Strobes and highly effective white lights (rating one for the rave aesthetic) shone earlier than the curtain, and the beat dropped.

The group stood behind a sea of its personal cellphone videography because the Swedes transitioned into “Greyhound,” a monitor launched in 2012, on the top of the EDM growth.

Axwell took to the mike to welcome Miami, and maybe the world, to a correct Swedish Home Mafia showcase. The three shared an elongated DJ deck buttressed by a slanted flooring design and, hovering overhead, an enormous grey circle that tilted and lowered over their heads like an digital halo.

The group danced with pleasure for every nostalgic shot of buzzy synths, syncopated claps, and big-room vitality coursing via an precise huge room.

“You already know there’s a track about Miami, proper,” Axwell advised the group. “Miami, we love you proper now,” earlier than launching into 2010’s “Miami 2 Ibiza.”

Angello beforehand advised New Occasions that the efficiency was meant to be a rave, a present that relied on prime lighting and the trio’s primal vitality and fewer about the necessity to inform the journey via LED animations. He did not lie. The lights modified with each monitor going from shades of blues and rose gold for euphoric buildups and inferno crimson for bass-heavy, darker music like their techno-adjacent monitor “Redlight.”

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Picture by Michele Eve Sandberg

“It is a fucking rave social gathering!” Ingrosso shouted into the mike.

Emanating from the halo got here its personal units of lights, the place a set of strobes chased itself like a canine making an attempt to chunk its tail and constructing off the euphoric chanting and deep emotional melodies from Ingrosso’s monitor “Laktos.” The band traded out four-on-the-floors with snares when dropping the hip-hop-infused Ty Dolla $ign collaboration “Lifetime” earlier than returning to these gritty, acerbic synth chords that lower in another way.

After all, the main-stage buildups have been filtered and injected with “let me see your arms” mantras, however Swedish Home Mafia additionally took this as a chance to make vitality with experimentation. The trio’s 2010 opus “One (Your Title)” was stretched, then condensed, and distorted to an nearly Aphex Twin stage that felt like three younger buddies simply messing round on the synths, hoping one thing good got here out of it.

“Axwell as soon as advised me that we’d have a rave in a Miami,” Ingrosso advised the group. “Nicely, right here we’re.” The trio blended tracks with different songs — like wringing out the vocals off of 2008’s “Depart The World Behind” with fast-paced breaks. “Individuals are you able to hear me/There is a message that I am sending out.” You greatest consider the viewers was singing alongside.

The trio had the prospect to play its collaboration with the Weeknd, “Moth to a Flame,” and the catharsis of “Heaven Takes You House,” that includes Connie Constance — all off Paradise Once more, a milestone in that it is the group’s first full-length mission and a testomony to the dexterity, eager ears, and daring, surprising manufacturing that carried the Swedes to stardom.

click on to enlarge

Picture by Michele Eve Sandberg

Axwell took the mike once more and started speaking about buddies. He nodded to the brand new buddies and the previous ones, too, earlier than the trio launched into the finale, the 2012 anthem “Do not You Fear Little one.”

The piano melody alone would’ve been sufficient to immediate the group the sing out the refrain, however the trio went one higher: They muted the quantity and turned to the group to construct the vitality out of nothing however heat recollections. “Do not you are worried, do not you are worried, baby/See, Heaven’s acquired a plan for you/Do not you are worried, do not you are worried now.”

The monitor prolonged into 2011’s “Save the World” earlier than leaping again into “Do not You Fear Little one” to shut out.

Swedish Home Mafia promised a rave, but it surely was not easy. In actuality, the Paradise Once more Tour is a live performance, competition, and rave all rolled into one. It was a live performance for breaks between songs and talking to the group, a competition for the short monitor choices and the actual fact this was a 90-minute set in spite of everything, and a rave due to its futuristic set design.

The lights, lasers, and pyrotechnics ran rampant whereas the halo shone down like some EDM god canonizing the three for his or her years of labor. I immediately regretted my years of bashing the EDM sound, pretending the work of Swedish Home Mafia did not lead me to the music I reside for now.

Because the final minute of live performance lighting stayed on and the ultimate hums of “Do not You Fear Little one” rang out, Axwell took to the mike as soon as extra: “My title is Axwell — and you’re fucking Miami.”


– “Can U Really feel It”
– “Greyhound”
– “Miami 2 Ibiza”
– “Sacrifice” 
– “19.30”
– “We Come, We Rave, We Love”
– “Calling On”
– “Laktos”
– “Lifetime”
– “Be” vs. “Present Me Love”
– “Frankenstein”
– “Extra Than You Know”
– “Antidote”
– “Redlight”
– “Dream Greater”
– “One (Your Title)”
– “Do not Go Mad”
– “Purchase Now – For Sale (Swedish Home Mafia Rework)”
– “Time”
– “Depart the World Behind”
– “Activate the Lights Once more”
– “Moth to a Flame”
– “Heaven Takes You House”
– “Do not You Fear Little one”/”For You/Save the World”



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